Richard Anthony Peña is an outsider, an independent visual artist who quietly observes and captures the American landscape and life. His journey has spanned over nine geographical locations in the United States over the last forty years. The references in the body of work can be biographical, social, and contextual, but his approach to image capture is purely incidental, intuitive, and by chance. Words like real, natural, and beautiful describe his traditional work, while words like otherworldly, ethereal, and cognitive describe his abstract work. Peña’s explorations are of enduring, beautiful, and melancholy representations. The images are a visual testament lionizing the end of the last century and this present century with a lens towards the future.
The works on the piano have similar qualities; the musical phrases are purely incidental, intuitive, and by chance. So, the melodies on the keyboard are impromptu. Creative instances that are one of a kind, interdependent on Peña’s ability to create musical phrases in the relationship from one phrase to another, spontaneously driven, with sensibilities invoking song cycles of rolling melodies of beauty and melancholy. Peña grew up in New Mexico, where he developed his sense of exploration, curiosity, and imagination. Peña graduated from the Kansas City Art Institute and School of Design and year of post-graduate study at the Glassell School, Museum of Fine Art, Houston, Texas. Now resides in North Carolina.
Family History and Pedigree
Richard Anthony Peña’s ancestry and lineage are traced to some of the oldest families in Hispanic America. His paternal 6th Grandparents, Matheo Antonio Y’Barbo, was born in 1698, and Juana Luzgarda Hernandez, born in 1705, both from Seville, Spain. They were early arrivals to the Presidio of Los Adaes, the capital of Tejas on the northeastern frontier of New Spain from 1729 to 1770. The site is now a national historic landmark in present-day Natchitoches Parish, Louisiana. Their son, Antonio Gil Y’Barbo, was the founding father of Nacogdoches, Texas, and the appointed lieutenant governor of the Nacogdoches district under the Spanish crown.
Peña’s maternal side goes back to Juan de Oñate’s settlement of 1598 in New Mexico. Almost nearly every early New Mexico family is related to the Oñate settlement. Oñate was born in Zacatecas, México, to Spanish-Basque parents. His father was the conquistador silver baron Cristóbal de Oñate, a descendant of the noble house of Haro, and his mother was Doña Catalina Salazar y de la Cadena, a descendant of a famous converso family, the Ha Levi. Peña’s maternal side is also composed of a rich Native American heritage. About 80% of the marriages from the Oñate settlement consisted of males of European origins and females of Native American descent, as this was also true for Juan de Oñate himself. Juan de Oñate married Isabel de Tolosa Cortés de Moctezuma, granddaughter of Hernán Cortés, the conqueror of the Triple Alliance, and great-granddaughter of the Aztec Emperor Moctezuma Xocoyotzin.
Richard Anthony Peña is a lifetime member of the Order of the Crown of Charlemagne of America, the Order of the Norman Conquest; William the Conqueror, the National Guild of St. Margaret of Scotland, the Order of Kings and Queens in the Holy Land; Eleanor of Aquitaine, the Order of Alba, the Order of the Descendants of El Cid, the National Society Sons of the American Revolution, and the Sons of the Republic of Texas.
Genetic Identity and Ancestral Origins:
67% European – 27% New World – 6% Middle Eastern
Y-DNA: R-Y31420 Haplogroup (4,200 YBP) – Ancient Branch of DF27 Iberian
mtDNA: A2h1 Haplogroup – Ancient Beringian, Clovis, Puebloans
Original Paternal Surname: de la Peña – of the Rock, (Sephardim name)